 | | script type=text/javascript!--
google_ad_client = pub-1014475007611027;
//160x90, created 1/22/08
google_ad_slot = 2798103672;
google_ad_width = 160;
google_ad_height = 90;
//--/script
script type=text/javascript
src=http://pagead2.googlesyndication.com/pagead/show_ads.js
/script
brbr
script type=text/javascript!--
google_ad_client = pub-1014475007611027;
//160x90, created 1/22/08
google_ad_slot = 2798103672;
google_ad_width = 160;
google_ad_height = 90;
//--/script
script type=text/javascript
src=http://pagead2.googlesyndication.com/pagead/show_ads.js
/script |
|
|
| | | div align=center
script type=text/javascript!--
google_ad_client = pub-1014475007611027;
//336x280, created 1/22/08
google_ad_slot = 0634485649;
google_ad_width = 336;
google_ad_height = 280;
//--/script
script type=text/javascript
src=http://pagead2.googlesyndication.com/pagead/show_ads.js
/script
script type=text/javascript!--
google_ad_client = pub-1014475007611027;
//336x280, created 1/22/08
google_ad_slot = 0634485649;
google_ad_width = 336;
google_ad_height = 280;
//--/script
script type=text/javascript
src=http://pagead2.googlesyndication.com/pagead/show_ads.js
/script
/div |
|
|
| !-- Search Google --
center
form method=get action=http://www.google.com/custom target=google_window
table bgcolor=#ffffff
trtd nowrap=nowrap valign=top align=left height=32
label for=sbi style=display: noneEnter your search terms/label
input type=text name=q size=45 maxlength=255 value= id=sbi/input
label for=sbb style=display: noneSubmit search form/label
input type=submit name=sa value=Google Search id=sbb/input
input type=hidden name=client value=pub-1014475007611027/input
input type=hidden name=forid value=1/input
input type=hidden name=ie value=ISO-8859-1/input
input type=hidden name=oe value=ISO-8859-1/input
input type=hidden name=cof value=GALT:#008000;GL:1;DIV:#336699;VLC:663399;AH:center;BGC:FFFFFF;LBGC:336699;ALC:0000FF;LC:0000FF;T:000000;GFNT:0000FF;GIMP:0000FF;FORID:1/input
input type=hidden name=hl value=en/input
/td/tr/table
/form
/center
!-- Search Google -- |
|
|
| Plot Structure: (Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish) (Write Great Fiction) | 
 enlarge | Author: James Scott Bell
Publisher: Writers Digest Books
Category: Book
List Price: $16.99
Buy New: $9.55
You Save: $7.44 (44%)
Buy New/Used from $7.55
Avg. Customer Rating:  (78 reviews)
Sales Rank: 941
Languages: English (Original Language), English (Unknown), English (Published)
Media: Paperback
Edition: 5
Number Of Items: 1
Pages: 240
Shipping Weight (lbs): 0.9
Dimensions (in): 8.9 x 6 x 0.7
ISBN: 158297294X
Dewey Decimal Number: 808.394
UPC: 035313109423
EAN: 9781582972947
ASIN: 158297294X
Publication Date: October 6, 2004
Availability: Usually ships in 1-2 business days
|
| Editorial Reviews:
Product Description
The second book in the Write Great Fiction series, Plot Structure offers clear and concise information on creating a believable and engaging plot that readers can't resist. Written by award-winning thriller and suspense author James Scott Bell, this handy instruction guide provides: P* Easy-to-understand techniques on every aspect of plotting and structure, from brainstorming story ideas to building scenes, and from using subplots to crafting knock-out endings P* Engaging exercises, perfect for writers at any level and at any stage in their novel P* Practical and encouraging guidance from one of the most respected writers publishing today PFull of diagrams, plot brainstormers, and examples from popular novels, mastering plot and structure has never been so simple.
|
| Customer Reviews: Read 73 more reviews...
very helpful book on plotting and structuring fiction January 6, 2009
This is part of the Write Great Fiction series from Writer's Digest. Each book in the series covers one broad aspect of writing fiction, and of course there is some overlap as well.br /br /I liked this book a lot, and learned a good deal from it. Bell recognizes that different stories and different writers need to approach plotting in different ways, so this is not a cookie-cutter approach to plot construction. Earlier on, we are introduced to the difference between literary fiction and commercial fiction, which Bell elucidates particularly well. The book includes a lot of diagrams to clarify things like rising intensity, crisis points, setbacks, and so on.br /br /Bell's mnemonic for basic plotting is LOCK (lead, objective, confrontation, knockout). After introducing that framework, he goes on to talk about what makes a good beginning, middle, and end. Although most of the examples come from novels, the basic ideas apply to short fiction with little adaptation.br /br /There is a good discussion of the three-act structure (and how it relates to other structures, such as the hero's journey). The chapter on scene writing is solid - he describes action and reaction as the major chords in fiction, and setup and deepening as minor chords. This is a good way to stay focused on what a scene needs to do, without getting pulled into excessive exposition.br /br /There is a lot of good advice in dealing with complex plots and common plot problems, and a review of common plot patterns and what each entails. The interaction between plot and character development is approached from several different angles.br /br /When it comes to outlining, Bell recognizes that some writers are drawn to outlining and others avoid it; he offers tips for people in both camps, without trying to impose his own method on his readers.br /br /This book has exercises at the end of each chapter, which I did not do much with. Mostly, they are just questions to ask about books you have read or about your own work in progress.br /br /While I don't necessarily think every writer needs to own each book in this series, getting one or two of them (on subjects that you find particularly interesting or challenging) is probably a worthwhile investment. I can recommend this book as a solid resource for dealing with plot and structure in fiction writing.
One of the best writing guides I've found December 17, 2008
This book has helped transform the general story idea in my head into a well structured plot that does all the things I wanted it to accomplish. It explores great ways to: keep your reader's interest piqued through any stage of the book, construct strong scenes, and build a plot schematic for your story to follow. I've been impressed with every book in the Write Great Fiction series and would highly reccomend them to any writer.
One of the best how-to-write books ever December 12, 2008
This book came highly recommended, yet still managed to exceed my expectations. Like its author, I've always been able to write, but have had real problems with plotting--with the basic structure of a novel. Since I'm completely disinterested in "literary" fiction and want to learn to write compelling, can't-put-it-down genre books, understanding plotting is absolutely essential. br /br /After studying this book, I finally "got it"! Bell explains with great clarity exactly how a page-turner is constructed and the reasons for each "bone" in the structure of a great book. When I complete the manuscript on which I'm now working, I'm thinking of unearthing one I wrote and rewrote and re-rewrote years ago, since now the errors I made are clear to me at last.
 To write average prose, follow ten easy steps... November 12, 2008
2 out of 6 found this review helpful
Every so often I get insecure in my efforts to write a decent book, and I check out one of these craft books. Often they help, often not. This one falls in the latter category. It outlines the most common concepts of the most common fiction (the necessity of conflict, an objective for the main character, opposition thereto, the three act structure, etc.), and tells you how to fill in this cookie-cutter design and maybe tweak the shape so you come up with a new variation on the reindeer or the Christmas tree (or the thriller or the mystery or the romance). The section on plotting can be summarized as, "If you're going to plot, and you should, just think of anything that could happen, write it on a card, fill lots of cards, and then put the cards into a sequence that leads to someone getting shot and then someone else having to deal with it." I exaggerate, but only slightly. A good scene usually ends in some sort of drastic action, a gunshot being a good example. Passing reference is occasionally made to literary fiction as something that could involve more subtle developments, and everything else herein is only useful for the true novice or the genre writer. Which has it's purpose. The most basic basics must be learned. Maybe this is a good place to get them. If you do order this, even if you have never written before, you will smack your head a lot and go, Duh, that makes sense. Of course!... (BTW, I'm no literary snob and certainly not writing from any position of authority. The writer of this book had published some books. If you read this and follow his advice, you might too. They might even get published. They will not be that ultra-subtle stuff where nothing happens, and not very interestingly, for hundreds of pages and we are made to suffer the 'artists' pretension--and that's certainly a good thing. But to learn to write exciting, lively prose, this doesn't seem like the route.)
Excellent book on plot! November 9, 2008
0 out of 1 found this review helpful
I am savoring every word in this book. The exercises at the end of every chapter have helped me brainstorm deeper and more intense scenes for the book I have been attempting to write for years. I have many other books on plot and scene writing - this book has me writing more effectively than I have for a long time.
|
|
|
Powered by Associate-O-Matic
| | |